1. performance
      15 March 2013

      Five Sisters at Centre Pompidou-Metz

      Centre Pompidou-Metz, Metz
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    2. Bookings via Centre Pompidou-Metz

      On Friday 15 March 2013, If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution is presenting the restaging of the play Five Sisters (1982) by Guy de Cointet at Centre Pompidou in Metz. Five Sisters premiered with If I Can’t Dance on 28 October 2011 at Frascati Theater in Amsterdam. Afterwards, the performance travelled to STUK kunstencentrum in Leuven, the museum MUSAC in León, the Museo Centro de Arte Reina Sofía in Madrid, the LACMA in L.A on 27 April 2012, and at the MoMA in New York on 9 and 10 May 2012. Following the performance in Metz, the play will travel to Kunsthalle Düsseldorf on 15 May.

      Furthermore, this Spring a publication on Five Sisters will be presented, that concentrates on the question of how to produce and present Five Sisters today. With contributions of a.o. Marie de Brugerolle, Elizabeth Orr, Vivian Ziherl and the cast. The design is by Will Holder.

    3. The play presents the story of five sisters, who busy themselves with the problems and pleasures of modern life on a Sunday afternoon. The California sun provokes their reactions, emotions and moods. With Five Sisters, Guy de Cointet explored the affective wellbeing of five women who have changing, restless, encounters in their parental home, discussing issues of wardrobe, suntan, health, exotic holidays, work and painting. Five Sisters is arguably de Cointet’s most resolved and mature play, in which his former attention for objects made a shift towards dance and mime. Within the scope of his oeuvre, the play is a new step and indicates the direction in which he wanted to develop his work at the end of his life.

      From the late 1960s until his untimely death in 1983, French-born artist Guy de Cointet was an influential member of the Los Angeles art scene. De Cointet’s performances are surreal sceneries in which ordinary, daily events are linked to specific objects, colours and letters – often in a lucid way. Five Sisters is the last performance that was staged during Guy de Cointet’s lifetime and marks a departure from his earlier work in its attention for light as the main catalyst of emotion. Guy de Cointet collaborated with the sculptor Eric Orr who created the lighting, set design and part of the sound, and with the musician Joseph Hammer. In the new production, the light and sound plan is reconstructed by Elizabeth Orr. The performers are dressed by moniquevanheist.

      The restaging of Five Sisters is the result of a research conducted by art historian Marie de Brugerolle, as part of If I Can’t Dance’s programme Performance in Residence. With this programme, If I Can’t Dance aims to research performances as case studies and proposes to connect archival research to practice. The current rendition of the play addresses questions around the idea of ‘making Five Sisters anew’, and departs from earlier restagings of de Cointet’s plays that focused on reconstruction.

      Concept play and text: Guy de Cointet
      Light and stage design: Eric Orr
      Director: Jane Zingale
      Dramaturge: Marie de Brugerolle
      Performers: Violeta Sanchez, Einat Tuchman, Adva Zakai, Veridiana Zurita (read biographies of the performers here.)
      Light & sound: Elizabeth Orr
      Wardrobe: moniquevanheist
      Curator: Frédérique Bergholtz
      Curatorial assistant: Vivian Ziherl
      Publication: If I Can’t Dance, design by Will Holder
      Language: English spoken

      Partners
      The restaging of Five Sisters is a commission of If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution and is a collaborative initiative of If I Can’t Dance in Amsterdam, STUK Kunstencentrum in Leuven and MUSAC in Leén. The restaging is financially supported by the Estate of Guy de Cointet, Étant Donnés, the Mondriaan Foundation, the Culture Programme of the European Union, and the Amsterdam Fund for the Arts. It is co-produced by If I Can’t Dance, Amsterdam; LACMA, Los Angeles; MUSAC, León; MoMA, New York; Reina Sofía, Madrid; and STUK, Leuven. With thanks to Yael Davids, Dora García, Eric Orr Estate, Frascati Theater and SMART Project Space.

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        If I Can't Dance,
        I Don't Want to Be Part of
        Your Revolution
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