2017– 2018

      Bibliography for VII - Social Movement

    2. Bibliography for online readers for VII - Social Movement (2017—2018):

      On social movement:

      Agamben, Giorgio. “Movement.” Uni.Nomade, seminar on war and democracy, European Graduate School, Saas-Fee, Switzerland, March 8, 2005. Trans. Arianna Bove.

      Barad, Karen. “What Is the Measure of Nothingness? Infinity, Virtuality, Justice.” 100 Notes – 100 Thoughts dOCUMENTA 13.Ostfildern: Hatje Cantz Verlag, 2012.

      Butler, Judith, Zeynep Gambetti and Leticia Sabsay, eds. Vulnerability in Resistance. Durham: Duke University Press, 2016.

      Butler, Judith. Notes Toward a Performative Theory of Assembly. Cambridge: Harvard University Press, 2015.

      Glissant, Édouard. Poetics of Relation. Translated by Betsy Wing. Ann Arbor: The University of Michigan Press, 1997.

      Goodwin, Jeff, James M. Jasper, and Francesca Polleta, edsPassionate Politics: Emotions and Social Movements.Chicago: University of Chicago Press: 2001. 

      Jackson, Shannon. Lines of Activity.Ann Arbor: The University of Michigan Press, 2004.

      Jackson, Shannon. “Working Publics.” In Performance Research16, no. 2 (2011): 8-13.

      Jackson, Shannon. Social Works: performing art, supporting publics. New York: Routledge, 2011).

      Lepecki, Andre. “Introduction: The Political Ontology of Movement.” In Exhausting Dance: Performance and the politics of movement.New York: Routledge: 2006. 

      Martin, Randy. “Introduction to a Social Kinesthetics,” lecture at the Movement Research Studies Project, Performing the Changing City: Public Space, Transformative Events and Creative Action in New York at Hemispheric Institute of Performance and Politics, March 19, 2013. 

      Moten, Fred. Black and Blur. London: Duke University Press, 2017.

      Alongside Charlotte Prodger:

      Baker, Kelly. “Taking New Directions: How Rural Queerness Provides Unique Insights into Place, Class, and Visibility.” In Totem: The University of Western Ontario Journal of Anthropology 20, no.1 (2012): article 2.

      Alongside Boris Ondreička:

      Hodgson, John.Mastering Movement: The Life and Work of Rudolf Laban. New York: Routledge, 2001.

      Laban, Rudolf. Choreutics. London: Dance Works, 2011.

      Alongside Myriam Lefkowitz

      Godard, Hubert.  “Interview with Hubert Godard by Suely Rolnik.” In Archive pour une œuvre-événement – Projet d’activation de la mémoire corporelle d’une trajectoire artistique et son contexte (10 DVDs box set). Paris: les presses du réel, 2010.

      Lorde, Audre. “Uses of the Erotic: The Erotic as Power.” In Sister Outsider: Essays and Speeches by Audre Lorde. Berkeley: Crossing Press, 1984.


      Alongside Rhea Anastas:

      Cayou, Dolores Kirton. modern jazz dance. Palo Alto: Mayfield Publishing Company, 1971.

      Piper, Adrian. "Notes on Funk I-IV." In Out of Order, Out of Site. Volume 1: Selected Writings in Meta-Art 1968-1992. London: MIT, 1996.

      Alongside Nataša Petrešin-Bachelez:

      Murray, Ros. “Raised Fists: Politics, Technology, and Embodiment in 1970s French Feminist Video Collectives.” In Camera Obscura, 31 (2016): 93-121. 


      Alongside keyon gaskin:

      Bradley, Rizvana. “Black Cinematic Gesture and the Aesthetics of Contagion.” In TDR: The Drama Review62 no.1 (Spring 2018): 14-30.

      Helmer, Anna Rose. The Fits.Directed by Anna Rose Helmer. Oscilloscope Laboratories, 2015.

      Sexton, Jared. “Afro-Pessimism: The Unclear Word.” Rhizomes: Cultural Studies in Emerging Knowledge29 (2016). https://doi.org/10.20415/rhiz/029.e02

      Spillers, Hortense J. “Mama’s Baby, Papa’s Maybe: An American Grammar Book.” In Diacritics17 no.2 (Summer 1987): 64-81.

      Wilderson III, Frank. "Irreconcilable Anti-Blackness: A Conversation with Dr. Frank Wilderson III." Lecture and conversation. Event from Art History Department Pomona College, Claremont California, 19 April 2017.
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