1. Introduction
      2. Trajectory
      3. Texts
      4. Documentation
      Performance in Residence

      Documentation

      ×
      1. "Flávio de Carvalho – A Lecture Performance", 19 April 2011, Frascati Theater, Amsterdam. Photography: Marleen Ozgur
      2. Manchete Magazine, Oct 1956 (inside)
      3. Manchete Magazine, Oct 1956 (cover)
      4. Le corbusier, Josephine Baker and Pepito Abatino on board S.S. LUTETIA from Rio de Janeiro to Europe, 1929
      5. Manchete Magazine Oct, 1956 (inside)
      6. gnacio María Barreda, Castas, Cuadro de Castas, 1777, Real Academia Española, Madrid, Spain.
      7. Le corbusier, Josephine Baker and Pepito Abatino on board S.S. LUTETIA from Rio de Janeiro to Europe, 1929
      8. LZ 127 "Graf Zeppelin" over Rio de Janeiro, CA. 1920?
      9. Josephine in Banana Skirt, 1927
      10. Josephine Baker dancing The Charleston at the Folies Bergère, Paris in 1926.
      11. © Matt Mullican, "That Person's Numbers", ink on paper, 2004
      12. © Flávio de Carvalho, "Bailado do Deus Morto (Dance of the Dead God)", Clube dos Artistas Modernos São Paulo, 1933
      13. 'Flávio de Carvalho – A Lecture Performance', 19 April 2011, Frascati Theater, Amsterdam. Photography: Marleen Ozgur
      14. Francis Picabia, 'Relache', 1924
      15. Flávio de Carvalho, 'Bailado do Deus Morto', 1933 at the Teatro da Experiencia in Sao Paulo
      16. Flávio de Carvalho, 'Experience no 4: Deusa Branca (White goddess)', 1958. Images from the film production in the Brazilian Amazon.
      17. Flávio de Carvalho, 'Experiencia no. 3', downtown São Paulo, 1956.
    1. Curator Inti Guerrero is conducting research into Flávio de Carvalho (1899–1973) for Performance in Residence. Brazilian artist and architect Flávio de Carvalho is perhaps best known for his Experiências (1931–1956), a series of performances avant-la-lettre that he carried out on the streets of São Paolo.

      With Experiência no. 3, de Carvalho publically launched his tropical futuristic clothing, designed for the contemporary office worker. The ‘New Look’ that he personally modeled on the streets consisted of a miniskirt and short sleeved blouse that was separated from the body by a corseting structure, to improve air circulation and prevent sweat from soaking the clothes.

      Departing from the Experiências, Inti Guerrero will specifically focus his research on the relations between the body, the psyche and architectural space in de Carvalho’s projects. A theatrical presentation marks the beginning of Inti Guerrero’s research period and will take place on 19 April 2011 at Frascati Theatre in Amsterdam.

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