I Myself Am Only A Receiving Apparatus focuses on the performative and the human body in Joachim Koester’s work and contains contributions by Magali Arriola, Frédérique Bergholtz, Martin Germann,
Veit Görner, Joachim Koester, Linda Norden, Marco Pasi, Kristin
Schrader, Yann Chateigné Tytelman. Koester's practice is based on intensive archival research and characterized by what he calls “narrative knots”—the multitude of stories, facts and references that make up his notion of history.
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