As part of the programme Performance in Residence, curator Jacob Korczynski is researching a feminist aesthetic in the practices of Lucy Lippard and Babette Mangolte during the late 1970s.

Korczynski is investigating the relationship between Lippard’s interrogation of text and image in her novel I See/You Mean (1979), and the contemporaneous exploration of the subjective role of the camera in Mangolte’s film The Camera: Je or La Camera: I (1977).